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Star Free and Update.Star Premium come with the same installer.Update.Star includes support for many languages such as English, German, French, Italian, Hungarian, Russian and many more.You can choose your language settings from within the program.Copyright Concerns For Digital DJs.The world of intellectual property law is quite relevant to musicians, especially DJs and producers that sample other peoples material in performance and composition.In this article, we provide some general tips for navigating this confusing, potentially treacherous landscape, so read on as we explain the basics behind laws that apply when remixing in your bedroom or playing a mashup routine live.Please be aware that this article is written from the perspective of United States law.The spirit of most other national copyright laws is similar that of the U.S, but there are often important differences.The Basics of Copyright.A copyright is an exclusive right, granted by the government, to the author of a particular work.This includes among other things the right to copy and distribute the work, the right to be credited for the work, and the right to determine who may publicly perform, adapt, or benefit financially from the work.For the purposes of this article, you can think of a work as a song.However, the copyright to a musical composition covers not just the final mix, but all of the original stems in a master recording as well There are two sides to music copyrights a master side and a publishing side.Ill go into greater detail later, but for now its enough to know that the master side covers the sound recording and every stem used in the mix of that sound recording, while the publishing side covers the underlying composition the music and lyrics upon which the sound recording is based.Infringement is the legal term for violating someone elses copyright.This might take the form of among other thingsillegally copying or distributing a songfailing to give proper credit to the owner of a songplaying, remixing or financially exploiting a song without proper permission.The implications of all of this may come as a surprise, but before you faint with concern that your next gig will be in the prison yard, take a deep breath.Unless youre running Pirate.Bay, Mega.Upload, Torrent.Vortex or another nefariously named haven of content theft, its unlikely that youll be making new friends behind bars at least as a result of your musical endeavors.However, if you want to avoid being sued for copyright infringementmake as much money as possible from your own originals and remixes.Then continue reading for tips to help you navigate and take advantage of copyright lawProduction.If you write and produce music, you probably already know that registering a copyright in the States is pretty easy.You fill out a form at copyright.U.S. Copyright Office.Filing online at Copyright.Gov will remind you that government is often 5 1.In typical government fashion, it takes the bastards between four months and four years to make things official, but your copyright will run from the date they receive your application.Id strongly recommend doing this for any original music you produce.Kilauea Mount Etna Mount Yasur Mount Nyiragongo and Nyamuragira Piton de la Fournaise Erta Ale.Also, be aware that master and publishing copyrights are registered separately.Official Remixes.Apple AZ Everything you need to know about Apple Apple by numbers.I mean, letters.An alphabetical tour of all things Apple.AOL Radio is powered by humans Great radio is all about unexpected connectionsthe kind that an algorithm cant predict.Pick any station in any of the 30 genres.Using and protecting music that you create from scratch is a bit of a no brainer.Remixes are more complex.Legally speaking, a remix is a derivative work that is a new work based upon an original work.According to the letter of the law, you need permission from the copyright holder of the original work in order to create a derivative work.If an artist or label sends you a song to remix, that probably constitutes sufficient permission to create a derivative work though its a good idea to at least have some written record of that permission even it its just an e mail.What an official remix opportunity like this doesnt always do is determine who will own the resulting remix.As mentioned, the master side of a copyright covers every stem in the mix, and the publishing side covers the lyrics and music.Since your resulting remix is likely to be comprised of stems, lyrics and music from the original combined with new stems and new music written by you or a third party, the resulting ownership breakdown is by no means obvious.Your Rights When Making A Remix.Many artistslabels will address this complication by paying you a flat fee in exchange for your release of all rights to the remix.That saves a considerable accounting headache for the label and these days may be as much as youre ever likely to see from royalties anyway.Be aware that these sorts of issues are negotiable.You can and should discuss copyright issues with the owner of the original song.By doing an official remix, youve written at least part of a new song, which means that youre entitled to a proportional part of the publishing side of the new copyright.If youre not being paid anything up front, thats all the more reason to ask for this.BaDLM/1280x720-xDd.jpg' alt='Jay Z Open Letter Download Soundcloud' title='Jay Z Open Letter Download Soundcloud' />If youve produced original stems that went into the remix, you theoretically own part of the new master also.The problem here is, if an artistlabel releases your remix as part of an album or EP, adding you to their accounting program and paying you a fractional royalty percentage will be very annoying and its something many smaller labels are just not equipped to do.Paying percentages on the publishing side of a copyright is less of a headache for labels because performance rights organizations like ASCAP, BMI and SESAC do most of the dirty work.Just make sure you register with them if and when you do receive a songwriting credit, otherwise they feed your royalty to Marc Anthony.Copyright When Playing Out.Photo Credit Aram Boghosian for The Boston Globe.Live performance is a different story altogether.If the songs you play are your own, theres likely nothing to worry about.With most DJs, unless youre Daft Punk or Deadmau.When you play other peoples music, there are copyright implications.In that situation, the artist whose music is being played is entitled to a public performance royalty again, generally handled through ASCAP or BMI.Fortunately for you, industry custom dictates that these royalties are the responsibility of the club, not the DJ.If youre mixing songs and not just playing out full tracks, there are additional considerations to be aware of.Creating a live remix during one of your sets is not usually a problem, provided that you own the mp.CDs, or vinyl that youre using and the venue at which youre mixing pays the appropriate public performance royalties.Selling or distributing a live or unofficial remix, however, brings in a different set of rules.Bootleg Remixes.The copyright significance of unofficial bootleg remixes is complex and ultimately depends to a large degree on what youre trying to do with the remix in question.When you remix a song, youve created what copyright law calls a derivative work.Generally, one is supposed to have permission from the original copyright owner to create andor distribute that derivative work.Without this permission, youve committed infringement.There is, however, a doctrine of copyright law called Fair Use that creates a limited exception to this rule.Fair Use is a defense to copyright infringement designed to encourage innovation, parody, and other beneficial results.The applicability of Fair Use to a given case is analyzed through four questions, which Ive contextualized below.Buildsoft 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